- MAX SYNTHESIZER ATTACK DELAY FULL
- MAX SYNTHESIZER ATTACK DELAY SOFTWARE
- MAX SYNTHESIZER ATTACK DELAY DOWNLOAD
Tone, Low- and high-pass controls can be used to further refine the distortion timbre at the output of the effect.
MAX SYNTHESIZER ATTACK DELAY FULL
A simple yet invaluable tool to create fat analog bass sounds that cut through the mix.ĭistortion: Full stereo distortion effect using 4x oversampling to minimize aliasing noise. The bass enhancer is modeled from circuits found in some legendary analog synths, and allows Antidote to mimic their bass response. A total of 8 effect modules is available, all of which can be used simultaneously.ĮQ and Bass: A classic three-band EQ design followed by a bass enhancer. One of the big strengths of Antidote is its massive effect chain, which contain some of the best effect algorithms from Synapse Audio. But there's more to it, of course - the arpeggiator both emits a gate and an accent signal, freely usable as a modulation source. The arpeggiator module in Antidote features the well-known classic modes (up/down/.), with 20 preset rhythms to choose from. Furthermore, CV inputs on the back panel can be used to modulate any sound parameter from any Reason device - the sky is the limit! The powerful modulation matrix, which can modulate almost any sound parameter, adds the necessary depth to realize complex sounds. Three envelopes, two LFOs and the arpeggiator further shape the sound. To the best of our knowledge, this filter topology has never been realized before in a polyphonic synthesizer such as Antidote. This filter topology is widely known from the famous "silver box", and responsible for some unforgotten classic analog sounds, like growling basses and squelchy leads. Two derivative filters yield a 12 dB bandpass and high pass response.Ī unique feature in Antidote is the diode ladder filter, which models a rare analog filter circuit composed out of diodes (or transistors hooked up as diodes). The low pass filter reaches self-oscillation and is properly tuned, so that the filter can be used as an oscillator at high resonant levels. Low pass roll offs range from 6 to 24 dB, so that anything from deep fat basses to thin bright sounds can be synthesized. When adding resonance, in particular, the behavior of the filters is much closer to vintage analog hardware.įilter designs in Antidote comprise the OTA low pass ladder, a filter topology frequently seen in analog synthesizers. This recent technology models the highly sought after sound of analog filters much more faithfully than previous designs. Each oscillator type has an additional feature (called a “Modifier”), which allows to apply extra features such as hard sync, pulse width modulation or to blend between different waveform shapes.Īntidote employs a multimode filter with the latest zero-delay feedback designs. The available oscillator shapes not only comprise classic analog waveforms such as sawtooth, pulse and triangle.
Until now this was only possible with very few synthesizers, mostly hardware. This oscillator power is not a gimmick, but a requirement to synthesize typical sounds found in today's dance music.
With all voices active, Antidote delivers up to 800 stereo oscillators. Conventional synthesizers cannot even reach that in unison mode. Antidote has been specifically developed to complement Reason, and to perfectly integrate into its environment.Īntidote RE comes feature packed with two stereo oscillator banks, each emitting a stack of up to 50 virtual-analog oscillators per voice, in highest audio quality. This Reason-exclusive device manages to combine the highest audio quality, flexibility and a fast work flow in an extremely easy-to-use Rack Extension.
MAX SYNTHESIZER ATTACK DELAY SOFTWARE
Get this Rack Extension in Propellerhead's shopĪntidote RE is a brand-new virtual-analog software synthesizer for Propellerhead Reason.
MAX SYNTHESIZER ATTACK DELAY DOWNLOAD
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